MOVERS & SHAPERS: A DANCE PODCAST

Bringing to you stories of life in dance to guide and inspire yours.  Tune in to hear candid conversations with dancers, choreographers, educators, company leaders, collaborators, and more, as they share personal journeys, creative insights, and ideas shaping the dance field today.  Launched in 2015, the podcast is also a living archive of the field’s evolving voices and stories. Hosted by Erin Carlisle Norton and available anywhere you get your podcasts.

 

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MSP 189: Amber Sloan

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PODCAST 189: Amber Sloan

Release Date: 11.20.25

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A Life in Dance with Amber Sloan

Episode 189: Show Notes.

Amber Sloan’s life in dance has unfolded through curiosity, community, and constant reinvention. Growing up in Virginia, her early exposure to improvisation and composition in high school sparked not just a love of movement but a way of thinking that would shape her future. Her time at the University of Illinois Urbana-Champaign deepened that foundation and connected her with the people and places that helped her put down artistic roots. From piecing together income through unexpected jobs, including one for Harvey Keitel’s wife, to choreographing for the Joyce SoHo and seeking to scale her work in the years leading up to the pandemic, Amber has never shied away from the uncomfortable or the uncertain. She’s navigated performance anxiety, surgery and recovery, and the challenge of being involved in many facets of the dance world, from performing with David Parker to presenting work through platforms like Women in Motion. Today, with recent pieces like her show at Kestrels (set to return next year), she continues to build a career that defies the assumptions people often make about a life in dance. At the heart of it all is a simple, lasting dream: to keep exploring alongside the dancers who move her work forward. Thanks for listening.

Key Points From This Episode:

  • Amber Sloan’s upbringing in Virginia and her introduction to dance. 
  • How early experiences of improv and composition in high school shaped her career.
  • Continuing her dance journey at the University of Illinois Urbana-Champaign.
  • How the connections she made while studying helped her develop roots in dance.
  • Working various jobs to pay the bills, including a role for Harvey Keitel’s wife.
  • Choreographing for the Joyce SoHo. 
  • Making an effort to do her work in a bigger way pre-pandemic. 
  • Navigating performance anxiety and doing what is uncomfortable. 
  • Being involved in many different areas of dance. 
  • How a 2015 surgery and recovery impacted Amber’s career. 
  • Dancing for David Parker: rehearsals, footwork, and more. 
  • Amber’s presenting work, including Women in Motion and more. 
  • Recent work including a show at Kestrels which will show again next year. 
  • Why a life in dance is often not what you might expect. 
  • Her ultimate dream for her work: to keep exploring with her dancers.

ABOUT Amber

Amber Sloan is a New Jersey State Council on the Arts Choreography Fellow whose work has been presented across the United States, Mexico City, Mexico, and locally at venues including Kestrels, Arts On Site, Roulette Theater, Dixon Place, 92Y Harkness Dance Center, Art House Productions, South Orange PAC, Smush Gallery, the EstroGenius Festival, and in a 21-year commissioning relationship with the DanceNow Festival. She was a Monira Foundation Performance Resident at Mana Contemporary, an Artist in Residence at Union Street Dance, an Emerging New Jersey Commissioned Choreographer for Dance on the Lawn, and a Schonberg Fellow at The Yard on Martha’s Vineyard. She has been awarded space grants from Gibney Dance Center, Brooklyn Arts Exchange, and Spoke the Hub, and her work has been annually supported by the Jerome Robbins Foundation since 2009.
As a performer, Amber has been a member of The Bang Group since 2002, and has performed in works by Doug Elkins, Keely Garfield, Sara Hook, Stephan Koplowitz, and James Waring, as staged by Richard Colton. She serves on the faculty of the Ailey School as the dance composition teacher for the Professional Division program. She has been a guest teacher at Marymount Manhattan College, DeSales University, Muhlenberg College, Holy Cross, Salem State, American Ballet Theatre’s Summer Intensive, Boston Ballet Summer Program, The Yard, Gibney Dance Center, and Brooklyn Arts Exchange.
Amber is the Assistant Executive Director of Arts On Site, a women-led nonprofit organization founded in 2016 to support artists and build community. She co-directs Women in Motion NYC, an organization whose mission is to foster female choreographers through the commissioning of new work, producing, and mentoring, and she serves on the advisory board of Art Omi: Dance. Amber holds a BFA in Dance from the University of Illinois at Urbana-Champaign where she was honored with the Beverly Blossom/Carey Erickson Alumni Dance Award.

 

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Amber Sloan

MSP 188: Sara Veale

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PODCAST 188: Sara Veale

Release Date: 11.5.25

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Attuning to the Beauty of Passion with Sara Veale

Episode 188: Show Notes

The incredible beauty of passion lies in the relentless dedication of one’s entire being, a force that radiates outward to inspire and elevate others. Today on the Movers & Shapers podcast, Erin is joined by author and dance critic Sara Veale. A North Carolina native, dancer turned dance writer, currently living in London, UK. Tune into the conversation as they dance into what inspired Sara into a lifelong journey in dance, how dance became an integral part of her identity, and what sparked her journey to shift into one that centers around her writing. They discuss her transition from the US to London, UK, the differences in the dance world, and she unpacks the responsibility of writing dance reviews and why she ultimately finds the Stars system to be fundamentally flawed. They then dive into an in-depth discussion on her book, Wild Grace: The Untamed Women of Modern Dance, breaking down what inspired the writing, how she approached the structure of the book, incorporating advice from her editor, delving deeply into the research, and the timeline from beginning to end. She shares how the book ultimately led her to a new attuning of the very beauty of passion itself! Be sure not to miss out on all this, and as always, much more. Thanks for listening, enjoy!

Key Points From This Episode:

  • Sara reveals how a two-year-old girl’s fascination with movement blossomed into a lifelong journey in dance.
  • Sara explains what about dance made it such an integral part of her identity.
  • The journey of her writing career.
  • How her future was shaping up during her time at college.
  • Sara unpacks how she got into writing as a dance critic. 
  • We discuss her transition from the US to London, UK, and how it shaped her dance writing.
  • Finding her voice in the dance critic world.
  • Why you’ve got to be reading when you want to be writing, according to Sara.
  • The responsibility behind writing dance reviews. 
  • She shares why she believes the idea of the Stars system, when writing reviews, is fundamentally flawed. 
  • We delve into a discussion on her book, Wild Grace: The Untamed Women of Modern Dance.
  • How she approached the structure of her book, finding the women, taking advice from her editor, and making tough decisions.
  • Sara explains the research journey she undertook for her book and the women she writes about.
  • She breaks down the timeline from the beginning to the end of getting her book published.
  • How writing her book had a profound personal impact, attuning her to the very beauty of passion itself.
  • Sara talks about the creation of the book’s abstract cover.
  • What Sara has planned next: books, sabbaticals, and connecting with her family. 
  • We talk about the shortage of non-academic, or mainstream, dance writing.

ABOUT Sara

Sara Veale is an American writer and editor based in London, with a focus on dance, feminism and design. She has been a freelance dance critic since 2013, covering a range of international artists and companies through reviews, interviews and essays. Her dance writing has appeared in The Observer, The Spectator, Harper’s Bazaar, Fjord Review, Gramophone, Auditorium, DanceTabs and more. 

Sara is a member of the Dance Critics Circle, managing editor of the Future Spaces Foundation, and a former editor of Review 31. Her book, Wild Grace: The Untamed Women of Modern Dance, was published by Faber in 2025 (Faber US: spring 2026).

photo by Martina Ferrera

 

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MSP 187: Ann Carlson

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PODCAST 187: Ann Carlson

Release Date: 10.23.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

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The Curiosity That Moves Us with Ann Carlson

Episode 189: Show Notes. 

At the heart of every great artistic work is the exploration of curiosity and a commitment to the process of creation. Today on Movers & Shapers, Ann Carlson joins us to discuss her illustrious career in interdisciplinary arts and shares the deep curiosity she possesses about movement, meaning, and the human experience, with work borrowing from the disciplines of dance and performance as well as visual, conceptual, and social art practices.  In this conversation, Ann reflects on how she first discovered her love of dance, how working with Meredith Monk and exploring performance art shaped her creativity, and the thriving performance scenes in NYC in the 90s that opened doors for experimentation. She shares the inspiration behind her work with animals, the reality of supporting herself financially as an artist, and how she navigated motherhood and her dance career. She also dives into the delicate marriage between process and product in creation before discussing her dance project, The Symphonic Body. Finally, Ann reveals what is piquing her interest today and shares a glimpse of what the future will hold for her in her career. Thanks for listening! 

Key Points From This Episode:

  • A brief overview of today’s guest, Ann Carlson, and how she found her love of dance.  
  • How performance art and working with Meredith Monk inspired Ann’s own creations. 
  • Cross-connecting dance with other performance scenes during her time in NYC. 
  • What inspired Ann’s animal series and how she managed to support herself. 
  • How Ann’s dance career pivoted when she started a family.
  • The beautiful amalgamation of process and product in dance creation.
  • What Ann learned about art from the poet Allen Ginsberg. 
  • Ann looks back on her career and some of the most meaningful projects she did. 
  • Ann tells us what she is curious about today and what her next project will be.

ABOUT Ann

Ann Carlson is an interdisciplinary artist whose work borrows from the disciplines of dance and performance as well as visual, conceptual and social art practices. Carlson’s work takes the form of solo performance, large-scale site-specific projects, ensemble-stage based dances and performance video.

Ann’s work as a whole is engaged with flattening traditional hierarchies, and throwing off the guardrails of who gets access to participate and be immersed in the contemporary dance / art experience. Carlson often works in a series format, loosely organized into interspecies performance collaborations, dance / performance works made with and performed by people gathered together by a common profession, activity or shared passion and large scale site specific performance installations, commissioned works for dance companies, galleries, museums, orchestras and collaborative performance videos. Carlson works from a “ world as studio” aesthetic, cultivating and curating the elements of everyday life as a way of exploring how to be together, how to be alone, in a world bound by and blended with the more-than-human.

Carlson is the recipient of numerous awards for her artistic work. Her awards include a Creative Capital Award, a Doris Duke Award for Performing Artists, a National Dance Project Award, two American Masters awards, a USA Artist Fellowship, a Guggenheim Fellowship, a New York Foundation for the Arts Fellowship, a Fellowship from the Foundation for Contemporary Art, she is the recent recipient of a Fellowship from the Santa Monica Arts Council, multiple MapFund awards, numerous awards from the National Endowment for the Arts, and Ann was the first recipient of the Cal /Arts Alpert Award in dance.

Carlson has a long-time collaboration with visual artist Mary Ellen Strom. Their current project, SoS is a site adaptive work in response to flooding and rising sea levels around the globe. Carlson/Strom’s performance video work is held in the public collections of Fonds Regional D’Art Contemporaire, (FRAC) Marseilles, France, The Museum of Fine Arts Boston, The DeCordova Museum and Sculpture Park, Lincoln, MA, The Rose Museum, at Brandeiss University, Waltham, MA. Carlson / Strom was awarded The St. Garden’s Prize in sculpture for their video, “Four Parallel lines”.

Carlson has been a visiting faculty member at numerous universities, among them, Wesleyan, Stanford, and Princeton University and currently is thrilled to be an adjunct professor at UCLA’s Dept. of World, Arts, Culture and Dance. Carlson lives in Los Angeles, California and Bozeman, Montana.

photo: Michael Poole

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Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 186: Erin Carlisle Norton

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PODCAST 186: Erin Carlisle Norton

Release Date: 4.14.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

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Lessons from 10 Years of Dance Conversations with Erin Carlisle Norton

Episode 186: Show Notes

What does it take to lead a forward-thinking, boundary-pushing dance company in today’s ever-changing artistic landscape? After a decade of hosting Movers & Shapers and nearly 200 interviews, Erin Carlisle Norton, Artistic Director of The Moving Architects (TMA), steps into the guest seat for a special 10th-anniversary episode. In conversation with Megan Mizanty, Lead Editor of thINKingDANCE, Erin reflects on the podcast’s evolution, the inspiration behind it, and the guests and stories that have profoundly shaped her perspective. They explore the intersection of dance and community engagement, the role of adaptability and resilience in the arts, and how collaboration fuels creative growth. Erin also shares her dream interview guest, the unexpected insights and connections that have emerged from the podcast, and how these conversations have deepened her understanding of what it means to build a meaningful life in dance. Tune in for a behind-the-scenes look at the artistry, strategy, and vision that drive Movers & Shapers (and TMA) forward!

Key Points From This Episode:

  • An introduction to Erin and the story behind Movers & Shapers.
  • Insight into how the podcast has evolved over the past decade.
  • Memorable moments and some of Erin’s favorite guest interviews.
  • The biggest lessons Erin has learned from nearly 200 interviews.
  • Ways that the podcast has influenced Erin’s work and artistic vision
  • The importance of adaptability, resourcefulness, and resilience in the arts.
  • Exploring the intersection of dance, community engagement, and storytelling.
  • Reflections on recurring themes, shifting dance landscapes, and industry trends.
  • Unexpected connections and insights that have emerged from hosting the podcast.
  • Podcast hosts who have influenced Erin’s approach to storytelling.
  • The modern dance icon Erin dreams of interviewing and why.
  • What it means to build a rich life in dance and Erin’s advice for emerging artists.

ABOUT Erin

Erin Carlisle Norton is a dancer, choreographer, movement educator, and Artistic Director of The Moving Architects (TMA). Through TMA, she has performed, taught, and toured extensively—locally in New Jersey and New York City, presented by BAM Fisher, Arts on Site, SOPAC, and Triskelion Arts, among others; nationally, with recent projects in Kentucky, North Carolina, Minnesota, Pennsylvania, and Washington State; and internationally, in Morocco and Guatemala, as well as throughout Central Asia with the U.S. Department of State.

Creating dance works that explore feminist narratives and ideologies through collaborative and intergenerational processes, Erin has received numerous accolades, including two Fellowships in Choreography from the NJ State Council on the Arts. Her latest solo dance film, O my soul, was notably screened at Dance on Camera Film at Lincoln Center and the Seoul Dance Film Festival. Erin and TMA have been awarded creative residencies, including at Cedar Crest College/LVDE (PA), MOtiVE Brooklyn, Wilson College (PA), MANA Contemporary with Monira Foundation (Jersey City), Dancewave (Brooklyn), and Gardenship Experimental Film Residency (NJ). Praised by colleagues as “brave and bold and fearless” and by critics for a “fresh and daring aesthetic,” TMA’s 2025 projects include a new dance film set at Broadway Presbyterian Church (NYC) with support from Partners for Sacred Places and IndieSpace; the site-immersive Crane House & Historic YWCA Performance Project (NJ), which highlights the women who walked through the house from 1796-1965—including three generations of Cranes, enslaved people, and Irish servants, as well as its time as a YWCA for Black women—with support from the NJ Council for the Humanities; and Shapes of Movement, a transdisciplinary collaborative environmental project in Eastern KY, supported by the University of Kentucky.

 

Erin leads TMA initiatives offering pay-what-you-can classes and workshops for adult dancers and is the host and producer of TMA’s long-running popular interview podcast, Movers & Shapers: Dance Podcast. She holds a BFA and MFA in Dance from Ohio State University, is a Certified Laban Movement Analyst through Columbia College Chicago, and is a Certified Pilates instructor. Erin is also the former Executive Director of Dance New Jersey and owner of Align Pilates.

photo by: Whitney Browne

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Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 185: Morgiana Celeste Varricchio & Samara Adell

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PODCAST 185: Morgiana Celeste Varricchio & 

Release Date: 1.20.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

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Building the Mosaic Dance Theatre Company with Morgiana Celeste Varricchio & Samara Adell

Episode 185: Show Notes

Every dance company has its own unique journey and characteristics, from how it was founded to the style of dance it specializes in. Today, we’re joined by the Producing Artistic Director and Founder of the Mosaic Dance Theatre Company (MDTC), Morgiana Celeste Varricchio, and the Artistic Director for Dance and Choreographer, Samara Adell. MDTC showcases the vibrant dance and folkloric heritage of the Mediterranean, spanning North Africa, the Middle East, and Southern Europe. Through captivating performances and educational initiatives, MDTC brings to life the region’s music, myths, and traditions, preserving and sharing its cultural tapestry. In this conversation, Morgiana and Samara share how they discovered their affinity for Middle Eastern dance, why they felt it wasn’t adequately represented in the US, and how they formed the Mosaic Dance Theatre Company. We discuss the many shows they’ve produced, including their upcoming show Visions of the Near East, how they manage their creative partnership, and the challenges of running a nonprofit. Tune in to hear the full scope of Morgiana and Samara’s beautiful journey, from becoming friends to running a thriving company together!

Key Points From This Episode:

  • An introduction to Morgiana Celeste Varricchio and her dance journey.
  • Moving to New York and the various jobs she worked while she was there.
  • How she became involved with Middle Eastern dance and met Samara Adell.
  • The success of Morgiana’s production of Ali Baba and the Forty Thieves.
  • What it was like to be part of the Lincoln Center Institute program.
  • How Morgiana and Samara founded the Mosaic Dance Theatre Company in 2005.
  • Their mission to ensure Middle Eastern Dance was properly represented in the US.
  • An overview of their productions, including their original show, Caravan to Cairo.
  • Their upcoming production, Visions of the Near East
  • Some background on Samara and how she became interested in dance.
  • Her time working in New York and the extensive global touring she did as a dancer.
  • The inner workings of Samara and Morgiana’s creative partnership.
  • How they prepare for, plan, rehearse, and arrange all the different elements of their shows.
  • Standout experiences during their two decades with Mosaic.

ABOUT Morgiana Celeste Varricchio

Morgiana Celeste Varricchio, Producing Artistic Director & Founder of Mosaic Dance Theater Company, is a classically trained actor, a storyteller, a dancer, and a director. Her works have been commissioned and performed internationally, in New York, and at regional and stock theaters throughout the U.S., including such venues as Lincoln Center, the Brooklyn Museum, Paper Mill Playhouse, the Caramoor Center for Music and the Arts, the Nashville Institute for the Arts, the New York International Fringe Festival, and the Edinburgh Festival Fringe in Scotland. An accomplished writer and producer, she has adapted and/or written for the stage, produced, performed, and toured in: Ali Baba and the Forty Thieves; Gypsy TalesOvid’s MetamorphosesBanat El Emir or The Dancing Princesses; and for Mosaic Dance Theater Company, Tales from The Arabian NightsLand of The PharaohsThe Paradise of Children, La Lettera d’Isabella, Troy: Women & War, and Impressions of The Alhambra. In addition to her numerous acting credits, she worked as production assistant for several Broadway productions, was artistic consultant for the late film star Anthony Quinn, and is privileged to list on her resume the remarkable experience of working at the Dallas Theater Center (TX) during its leadership by the legendary Paul Baker. Morgiana teaches classes and workshops in Middle Eastern dance, and conducts workshops for storytelling and storytheater. She holds an MFA from Trinity University and a BA from Lehigh University.

photo: courtesy Mosaic Dance Theater Company

ABOUT Samara Adell

Samara’s hallmark style, a blend of serene elegance, spiritual grace, earthy passion, and technical prowess is the result of a life long commitment to Oriental Dance. Drawn to the dance since she was a child; via her Mediterranean heritage (Greek and Turkish), Samara’s background enhanced her organic sense of rhythm and her mastery of hip dynamics that characterize the dances of the Near East. Samara began dancing professionally in her teens, having already studied other dance forms extensively. Her exotic beauty and natural talent soon made her one of the most sought after dancers in the New York Area.

While some dancers might have been content to rest on their laurels, Samara chose instead to constantly challenge herself and pursue the art of Middle Eastern dance on it’s highest level. In this quest she was aided by her outstanding dance mentor, the late master dancer/teacher/choreographer IbrahimF.arrah. Samara studied with Mr. Farrah for over 15 years. As a member of his renowned Near East dance Group, Samara’s performed in some of America’s most prestigious concert halls, including Carnegie Hall, Avery Fischer Hall at Lincoln Center, Town Hall, The Triplex Theater, Theater of the Riverside Church and Merkin Concert Hall in New York, the Warner Theater in Washington D.C. and the Spoleto Festival in Charleston S.C.

After the untimely death of Ibrahim Farrah, Samara joined two of his other principle dancers, Phadrea and Jajouka, on a tour of various cities in the U.S. from October 1999 to July 2000. Together they taught the Ibrahim Farrrah method and performed his choreographies in such theaters as the Hart House Theater in Toronto, the Robert B Moore Theater in Costa Mesa California, On The Boards Theater in Seattle, Washington and the Da Capo Opera House in New York City.

In addition to her work with the Near East Dance Group, Samara has shared the stage with some of the most famous singing stars of the Middle East including, ( to name a few), Walid Tofic, Ragheb Alame, Sabah, and George Wassouf. Samara was a part of Warda’s dazzling show at Madison Square Garden, The Brooklyn Funk Essential at Irving Plaza and danced with famed pop-fusion star Alabina at the Beacon Theater. She co-produced and appeared as an original member of the World Beat Extravaganza Ballet Exotiqa and danced with Christine Aguillera at Radio City Music Hall for the MTV Music Awards. Samara was a 1998 inductee into the American Academy of Middle Eastern Dance Hall of Fame.

As a soloist, Samara has been engaged in Middle Eastern nightclubs and theaters throughout the United States and Abroad. Her dance journeys have taken her to Mexico, the Caribbean, France, England, China, Japan, Jordan, Egypt, Israel and West Africa. Samara performed in Greece three consecutive years and shortly after toured in Turkey, Greece, Russia, Bulgaria, Egypt and Israel. She has performed as a Guest Artist with the Kamatsu Kaoru Arabia Dance Company at the Kyurian Theater in Tokyo Japan and at the Ahlan Washalan Festival in Cairo Egypt June 2008.

For the past 22 years Samara has been the choreographer and Artistic Director of Dance for The Mosaic Dance Theater Company. For Mosaic she has choreographed numerous traditional and interpretive works including: Impressions Of The Alambra (2024), Alhayat Raksa (Life Is A dance) 2023, Troy: Women & War (2022), Four Women (2018) Tales From The Arabian Night (2014), MDTC 10th Anniversary Concert at The Martha Graham Theater (2013), The Art Of Sense & Soul (2013), MDTC at The Hudson Guild Theater (2011), MDTC at Westminster College (2011), MDTC At Westminster College (2010) ,Tradition Myth & Fantasy (2009), MDTC and Viva Flamenco (2009), Dances of Time and Tradition (2008), MDTC At Reinhardt College (2008), Dances of North Africa and The Middle East (2007), The Fisherman and The Djinni and The King of The Ebony Isles: Tales from The Arabian Nights (2006), Visions of The Near East (2005), and a Celebration of Middle Eastern and Mediterranean Dance (2003).

Additional choreographic credits include several Off Broadway productions: Banat El Amir or The Dancing Princesses in which she also performed, Caravan to Cairo critically acclaimed in it’s presentation at the New York International Fringe Festival, special choreographer for Broadway star Robert Cuccioli in Elvis Unbound, Veils (a serial comedy), and Kamatsu Kaoru Arabia Dance Company in Tokyo Japan.

At home in New York City, Samara has taught in a number of well known dance schools, among them The New Dance Group, Dance Concepts, The Ibrahim Farrah Near East Dance School, The YWCA of New York City, Hunter College Dance Department, The United Nations, Djiniba Dance and Drum Center, Fazils, Steps and Manhattan Movement and Arts Center. Samara now teaches at Dany Studios, Nola Studios and is a faculty member at The Alvin Ailey Extension. Samara also teaches at various cultural centers for the City Of New York.  As a Seminar Instructor Samara teaches regularly throughout the United States and Abroad.

Samara conducts a Weeklong Intensive Workshop every year in New York City where students come from all over to study her method. Her classes are noted for their emphasis on developing strong technical skills, expressiveness, spatial patterns and musical interpretation. Samara’s extensive background in Theater and Cabaret gives her students a very broad overview into this intricate and expressive dance form.

Samara’s talents are not limited to dance. She has studied acting at The Ernie Martin Studio Theater and The Actors Conservatory with Elaine Aiken and has appeared in Off Broadway productions. Samara has also studied writing and film making at the New School for Social Research. As a professional model, Samara has worked in the U.S. and Europe in runway, print, and fashion. As a producer, Samara has produced dance, theater, musicals and has recently produced her first Middle Eastern Dance CD “YA SAMARA “ A significant amount of Samara’s time and energy is also dedicated to humanitarian causes. She is particularly active in animal rescue, animal rights and environmental organizations.

Photo: Courtesy Mosaic Dance Theater Company/ Westminster Performing Arts

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

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